Sabine Longin
With an education in communications, management and development of cultural projects (advanced D.E.S.S. degree) as well as in European affairs (Cycle des Hautes Etudes européennes at France's prestigious Ecole National d'Administration) Sabine LONGIN has spent her entire career in the French and international cultural sector.
She has worked with Thread Waxing Space and the French Consulate in New York, La Biennale d'art contemporain de Lyon, Binario Zéro (Milan), the European Literature Train 2000/Mission 2000 in France, En train de Lire and le Prix du Polar SNCF, the Conseil Général of Essonne, the Canadian Cultural Center in Paris and Enjeux Internationaux (Bruxelles).
Specialized in strategic planning and management of international cultural projects, she helped create and manage the Forum des instituts culturels Étrangers à Paris, FICEP.

Alain Locqueneux
With a background in marketing and finance (HEC 85) Alain Locqueneux has a track record of over 20 years, primarily in the consumer market, primarily in the field of food in France and abroad.
- A marketing career reference (12 years), supplemented by the performance of commercial responsibilities (4 years) and different mandates branch, subsidiary or branch (6 years).
- A professional international, expatriate eight years in three Central European countries, has led companies on the five continents.
- A recent collaboration on projects of entrepreneurship along with two investment funds. He specializes in consulting "optimizing operational performance."

Guillaume Dimanche
Multidisciplinary artist, he trained at the Poitiers and Paris Fine Art School in video art and digital images. It now operates several business related to the manufacture of the picture: filmmaker, photographer and graphic designer. Digital artist, transmedia, visual artist, he participated for over twenty years in numerous exhibitions and publications in both institutional and alternative places.
Guillaume DIMANCHE uses the digital image as a pictorial material, poetic creation support for composing photographic frames. Videographer, photographer and poet, he built these frames by writing and assembling still images extractedfrom the move. The frame is a recorded subject, a sample, one pixel of the picture, the artist uses, moves, superimposed on and off lights to give life to his image. The usual subject is sublimed.